This is the distance between the
optical center and the image when the object is at infinity. When
the object is twice the FL in front of the lens the image is twice the
FL behind the lens. You can not focus on an object that's closer
than twice the FL from the optical center.
The FL determines the scale factor, magnification, field of view,
etc. This comes about from simple trignometry using a line on the
central axis of the lens and another line at the edge of the field of
view. Note that this gemotery changes depending on how far away
an object is from the lens.
For objects very far away:
Field Of View (deg) = 2 * ATAN( Is / (2 * FL))
where:
Is = the image size which depends on the size of imaging chip in the camera in the same units as the FL, commonly mm.
Field of View table showing the effect of focal length on various imaging chip sizes
|
1/4 " |
1/3 " |
1/2 " |
2/3 " |
1 " |
35 mm Film
|
FL mm
|
3.6 |
2.7 |
4.8 |
3.6 |
6.4 |
4.8 |
8.8 |
6.6 |
12.8 |
9.6 |
36 |
24 |
|
H
|
V
|
H
|
V
|
H
|
V
|
H
|
V
|
H
|
V
|
H
|
V
|
1.6 |
97 |
80 |
113 |
97 |
127 |
113 |
140 |
128 |
152 |
143 |
170 | 165 |
2.5 |
72 |
57 |
88 |
72 |
104 |
88 |
121 |
106 |
137 |
125 |
164 | 156 |
3.9 |
50 |
38 |
63 |
50 |
79 |
63 |
97 |
80 |
117 |
102 |
156 | 144 |
6 |
33 |
25 |
44 |
33 |
56 |
44 |
73 |
58 |
94 |
77 |
143 | 127 |
9.4 |
22 |
16 |
29 |
22 |
38 |
29 |
50 |
39 |
68 |
54 |
125 | 104 |
15 |
14 |
10 |
18 |
14 |
24 |
18 |
33 |
25 |
46 |
35 |
100 | 77 |
23 |
9 |
7 |
12 |
9 |
16 |
12 |
22 |
16 |
31 |
24 |
76 | 55 |
35 |
6 |
4 |
8 |
6 |
10 |
8 |
14 |
11 |
21 |
16 |
54 | 38 |
55 |
4 |
3 |
5 |
4 |
7 |
5 |
9 |
7 |
13 |
10 |
36 | 25 |
85 |
2 |
2 |
3 |
2 |
4 |
3 |
6 |
4 |
9 |
6 |
24 | 16 |
Using 35 mm Film Camera Lens on CCTV camera
There is an
advantage in using a 35 mm film camera lens in that the objective
diameter is much larger than a CCTV lens. Remember that for stars
the f-number does not mean much what's important is the area that's
gathering the light. For example a 6 to 60 mm varifocal CCTV lens
has an objective diameter of 16mm and a 50 mm film camera lens rated
f/1.4 would have an objective diameter of 36 mm. That's about 5
times the area for the film camera lens.
Iris (Diaphram)
This is an issure for a security camera or a
web camera that will be looking at things on the Earth. For
looking at start the iris will typically always be wide open.
A manual iris lens is easier to make than an automatic iris lens and so
costs less. But if the scene is changing brightness the auto iris
lens is far superior. There are two common types of control for
the auto iris lens. The older is called video drive where the
lens contains electronics to to convert a video signal into a control
signal. These typically have one or two pots for adjusting the
level and optionally the speed of operation.
The more modern type is the DC drive where the camera converts the
video signal into a drive current. In this case the camera may
have a pot to set the level. The 4 pin connector has labels like:
Pin #
|
Description
|
Name
|
Name
|
Name
|
1
|
|
Dump - |
Control - |
Damper Lo |
2
|
|
Dump + |
Control + |
Damper
Hi |
3
|
Galvo motor drive1
|
Drive |
Drive + |
Drive |
4
|
Galvo motor drive1
|
Ground |
Drive - |
Ground |
Note 1 = By applying 5 ma to pins 3 & 4 with 3 positive, when
the current gets to about 7 ma the iris goes from fully closed to fully
open.
Iris Dynamic Range
The first generation auto iris was made by adding electromagnetic
control to a camera type iris. The range might be 8 stops (i.e.
f/1.4 to f/22) but these don't work too well with the starlight type
security cameras because at noon they can not stop down far
enough. The new auto iris mechanism uses neutral density filters
either instead of or in addition to the manual iris (not sure which) to
double the range, for example from f/1.4 to f/360.
Zoom Wide Dynamic Range but not IR type:
- L10X65DC4P 1/3" 6.5-65mm Motorized DC Type Auto-Iris 4-Pin, CS-mount, F1.4 to f/360 ($219) -
- L10X85DC4P 1/2" 8.5-85mm DC Type Auto-Iris, C-mount, F1.4 to f/360 ($219) -
Exposure Priority Modes
In Shutter (Sense?) Priority the iris starts out at the highest f/#
(say f/360) and the electronic shutter is used to control the
exposure. Once the shutter is at the longest possible exposure,
say X128 sense up or 2 seconds on the Mintron, then the iris
starts to open up. This mode is great for most things where
there's not much movement in a scene.
In iris (AGC?) Priority the electronic shutter starts out at the
fastest possible speed (say 1/1000 second) and the iris is used to
control the exposure. Once the iris is wide open (say f/1.4) then
the shutter speed starts slowing down. This is good for things
like traffic cameras where it's important to freeze motion blur, but
does not provide as good an image as shutter priority.